Southern trees bear strange fruit,
Blood on the leaves and blood at the root…
These are the opening lines of a song made immortal by American Jazz singer Billie Holiday. Her personal story was heroic; battling poverty, marginalisation, racism and abuse, she managed to become one of the most influential singers of the 20th Century.
‘Strange Fruit’, Holiday’s signature tune, became a hallmark of a quickening social sensitivity to the plight of black people in America. Provocative, courageous and compelling, its twelve short lines could reduce even the most jaded listener to tears.
The song’s central image is the victim of a lynching, the ‘strange fruit’ hanging from a tree. Holiday, who had been raped at 11 and prostituted by 14, and who faced a lifetime of drug addiction and domestic abuse, made it a vessel into which she poured all of her pain and suffering.
Vanuatu has its own strange fruit: Planted between the roots of a nakatambol tree lie the bones of a Tannese woman murdered, burned and discarded after 14 years of neglect by her own people. An overgrown lot in Freswota is a-flower with yellow crime-scene tape marking the place where another young Tannese woman was raped and beaten to death with a timber. Her 3 year old daughter lay strangled nearby.
Just as the mightiest tree often comes from the smallest seed, Vanuatu continues to reap this bitter harvest because, in every aspect of their lives, women are subject to coercion.